By default, the alternative text field automatically uses the display name, but you can edit the alternative text separately if you want. Edit the display name and alternative text. Select the recording in the editor and select Insert/Edit Recording again in the menu. The system uses the recording time and date for these fields by default. You may rename the recording's display name and add alternative text to make it accessible to all users. The recording is automatically inserted in the editor.Review your recording and select Save and exit if you're satisfied and want to share it with the student.You can delete the recording and start over if you want to re-record. AudioNotes ( download free) is a macOS menu bar app that helps you record and share audio messages really easily. Select Pause recording to stop and resume recording your feedback or select Stop recording to review the recording and save or discard.You can make a recording up to five minutes long. Select the red record button and watch as the tool counts down.It is an interesting audio-visual assemblage that too often hits familiar notes.When you've got your microphone and camera set up, you're ready to go. Janek Ambros’ film is not really successful in contouring that point across, but I would give it points for trying. Since the freedom of the press, freedom of expression, and equality are so often questioned on a daily basis, personal freedom can only be achieved when the two ends find a neutral ground to their respective egos. Imminent Threat glares down on one of the most important things that everyone in a democracy wishes for – personal freedom. Also, Read – Triple Threat Review: An Enormous Waste of Talent & Potential While the structure here works for most of the runtime, I am not sure if using the footage of protests and juxtaposing them with other discovered footage and clips from the internet really work in leaving the viewer with a ponderous point of view. The last and final segment is constructed as a plea to the people on both spectrums of political standpoint to reevaluate their government by not blinding themselves to whataboutery. This segment is specially designed to present the conflicting image of the government as a body that doesn’t realize or fails to acknowledge that they are basically going against the constitution that they have sworn to abide by. The metadata segment that forms the War on Terror: Home shows us how the government uses the personal information of its own citizens in the name of security. While it doesn’t give more than the usual Wikipedia-level knowledge to the onlookers, the way it turns the narrative towards the drone strikes and how civilians were harmed – both under the Bush presidency and the Obama presidency, sure raises some eyebrows. To give you more perspective, the first leg that talks about the War on Terror: Oversees has to be the strongest part of the film. It follows the blatant misuse of power by the US government post the 9/11 territory attack. Basically, it’s about the War on Terror is shown through the eyes of people who serve as a neutral ground between the far left and the far right as far as a political stand is concerned. Related to Imminent Threat – Kiss the Ground (2020) Netflix Review: A Groundbreaking Nature Manifesto On Reversing Global WarmingĬo-produced by actor James Cromwell, Imminent Threat is broken into three chapters. ![]() There is such a lapse between serious reportage, fact-based interviews, and satirical undertones that the viewer doesn’t know how to react to it. Let’s assume that you set out to see this film and are stunned by the kind of repressive and pressing issues it is talking about, only to be handed with uplifting music over distressing war footage. And yet, with Imminent Threat I felt like I was left in split with the idea of being served an anti-dose of propaganda in the form of propaganda itself. The aforementioned films and Imminent Threat – an hour-long documentary about the ‘War on Terror,’ are essentially collections of footage that have been assembled with such fine precision that there’s no way your attention would be diverted to something other than what’s on screen. After watching Janek Ambros’ Mondo Hollywoodland and Money, Fascism, and Some Sort of Acid, I have come to realize that more than anything, he is an excellent editor.
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