It's very easy for your ears to start playing tricks on you when you've been working on a mix for a while, and mix references (as these tracks are often called) are one of the most powerful tools available to the engineer to keep the sound on the straight and narrow, so that it can compete with commercial mixes.īut what tracks should you use? The selection of mix references is a topic which seems regularly to exercise the SOS Forum ( and if you're looking for suggestions it's certainly worth searching for threads on this subject. The feature reference CDs most frequently have in common is that they include a selection of the engineer's favourite commercial mixes, which are used when mixing to provide a benchmark of excellence for comparison purposes. That makes it difficult to decide what to include when putting one together for yourself for the first time, so in this article I'm going to be discussing the main options to try to clarify the process a little. Of course, there are some useful commercial reference CDs available, such as the Court/Parsons 'Sound Check 2' test CD ( and Canford's own 'Quick Check Disc' ( but there are good reasons to compile your own: the contents of any two different engineers' reference CDs may bear little resemblance to one another, because each engineer will have different needs. You could carry around a test-tone generator, a selection of your favourite CDs, and some WAVs of solo instrument and voice recordings for the purpose, but many working engineers prefer to consolidate all the things they normally need onto a single disc - often referred to as a 'reference CD' - for the sake of convenience. Whenever you need to troubleshoot routing or evaluate processing in any detail, it's really useful to have a set of known technical and musical test signals on hand. We do it because we love creating and we love seeing our sounds being used by so many people.Whether you're acclimatising to a new room or speakers, or seeking benchmarks for your mix, a CD of good reference material is an indispensable tool - and it pays to think hard about what you put on it. You can check out our Excellent rating on TrustPilot here. Many of our users rate us as the best free sound effects library for this very reason. ![]() We have spent over 25 years recording sounds and we love to help out not only up-and-coming creatives, but also some of the leading filmmakers, production companies, game developers, podcasters and more. Our ethos is simple, ZapSplat is here to benefit everyone. All our sounds are 100% royalty free and safe for you to use and our Licensing is clear and simple to understand. TV, film, radio, games, podcasts, advertising, social media, audiobooks, presentations etc are all covered. Yes, all our sounds and music can be used in commercial projects, even for broadcast. More info hereĬan I use ZapSplat free sound effects in commercial projects? ![]() There are even more benefits to upgrading too, such as no download delays, lists, more results per page and more. We add up to 200 new sfx each day too, so check back regularly for updates!Īre your sounds only available to download as mp3?įree Basic account users have access to all our free sounds as mp3 files, but upgraded Gold members can also download them as uncompressed wav files. Sounds are a great way to enhance your videos and bring them to life. Our sounds are perfect for YouTube videos, Vimeo and other platforms. In fact thousands of our users are doing just that. ![]() Some frequently asked questions about our free sound effects…Ĭan I use your free sound effects for video editing?Ībsolutely.
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